73 bars of 4/4 at 133 BPM, about 2:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 42-44, and 3 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 1, 41, 49, 53, 57, 61 and 2 more.
2 more fills are written out on the fills page.
73 bars across 6 sections: 51 keep time, 8 are fills and 8 are stops. The longest unbroken stretch of time is bars 2-17.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
73 bars, about 2:12 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 1, 41, 49, 53, 57, 61 and 2 more.