75 bars of 4/4 at 121 BPM, about 2:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-16, toms through bars 17-25, hi-hat through bars 26-53, silence through bars 54-61, hi-hat through bars 62-72 and snare through bars 73-75.
The beat the song is built on is a 2-bar phrase, played through bars 26, 28-30 and 32-34, and 4 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 29
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|x--x--x---------|
HH |--o-o-o-o-o-o-o-|----------------|
SD |--x---x---xx-xx-|x--x--x-xxx-----|
T1 |----------------|-----------x----|
T2 |----------------|------------xx--|
FT |----------------|--------------xx|
BD |x---xx-x-x--xx-x|-xx-xx-x--------|8 fills to learn, played 17 times: bars 5, 13, 22, 23, 24, 25 and 11 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
121 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
75 bars, about 2:28 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 5, 13, 22, 23, 24, 25 and 11 more.