75 bars of 4/4 at 121 BPM, about 2:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26, 28-30 and 32-34, and 4 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 17 times: bars 5, 13, 22, 23, 24, 25 and 11 more.
4 more fills are written out on the fills page.
75 bars across 11 sections: 38 keep time, 17 are fills, 1 is a stop and 9 are silent. The longest unbroken stretch of time is bars 50-53.
121 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
75 bars, about 2:28 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 5, 13, 22, 23, 24, 25 and 11 more.