89 bars of 4/4 at 110 BPM, about 3:13 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4-6, 8-10 and 24-26, and 5 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 17 times: bars 3, 7, 27, 31, 35, 37 and 11 more.
3 more fills are written out on the fills page.
89 bars across 15 sections: 53 keep time, 17 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 13-18.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
89 bars, about 3:13 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 3, 7, 27, 31, 35, 37 and 11 more.