190 bars of 6/4 -- not four -- at 125 BPM, 7:50 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3-5 and 7, and 4 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 20 times: bars 2, 14, 24, 33, 51, 52 and 14 more.
7 more fills are written out on the fills page.
190 bars across 15 sections: 108 keep time, 20 are fills, 3 are stops and 47 are silent. The longest unbroken stretch of time is bars 121-134.
125 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
190 bars, about 7:50 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 2, 14, 24, 33, 51, 52 and 14 more.