104 bars of 4/4 at a walking 80 BPM, 5:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-30, 32-34 and 36, and 10 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 14 times: bars 20, 24, 42, 46, 48, 50 and 8 more.
1 more fill is written out on the fills page.
104 bars across 8 sections: 79 keep time, 14 are fills and 4 are silent. The longest unbroken stretch of time is bars 28-41.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
104 bars, about 5:12 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 20, 24, 42, 46, 48, 50 and 8 more.