142 bars of 4/4 at a walking 87 BPM, 6:17 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-42, kick and crashes through bars 43-49, ride through bars 50-51, hi-hat through bars 52-73, ride through bars 74-75 and hi-hat through bars 76-90, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 52-54, 56-58 and 60-66, and 2 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x--x--x---xx----|12 fills to learn, played 23 times: bars 42, 50, 55, 59, 67, 71 and 17 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
142 bars, about 6:17 at the written tempo. The course breaks it into 54 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 42, 50, 55, 59, 67, 71 and 17 more.