142 bars of 4/4 at a walking 87 BPM, 6:17 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 52-54, 56-58 and 60-66, and 2 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 23 times: bars 42, 50, 55, 59, 67, 71 and 17 more.
8 more fills are written out on the fills page.
142 bars across 15 sections: 84 keep time, 23 are fills, 18 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-21.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
142 bars, about 6:17 at the written tempo. The course breaks it into 54 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 42, 50, 55, 59, 67, 71 and 17 more.