175 bars of 4/4 at 120 BPM, about 5:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 56-80, 96-97 and 99-100 -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 86, 102, 116, 118, 120, 122 and 10 more.
5 more fills are written out on the fills page.
175 bars across 14 sections: 84 keep time, 16 are fills, 33 are stops and 31 are silent. The longest unbroken stretch of time is bars 54-80.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
175 bars, about 5:50 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 86, 102, 116, 118, 120, 122 and 10 more.