289 bars at 163 BPM -- fast, and 7:04 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bar 1, snare through bars 2-17, toms through bars 18-25, snare through bars 26-34, hi-hat through bars 35-49 and toms through bars 50-57, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 26, 30 and 42, and 20 more places -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
224
1e+a2e+a3e+a4e+a
CC |x---g---x---g---|
SD |--------x-------|
BD |x---------------|8 fills to learn, played 70 times: bars 18, 19, 20, 21, 22, 23 and 64 more.
It cuts the song into 62 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
163 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
289 bars, about 7:04 at the written tempo. The course breaks it into 62 exercises over 19 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 70 times: bars 18, 19, 20, 21, 22, 23 and 64 more.