54 bars of 4/4 at 145 BPM, about 1:29 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 25-27, and 2 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 16 times: bars 3, 8, 12, 16, 17, 18 and 10 more.
5 more fills are written out on the fills page.
54 bars across 7 sections: 28 keep time, 16 are fills and 4 are stops. The longest unbroken stretch of time is bars 19-22.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
54 bars, about 1:29 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 3, 8, 12, 16, 17, 18 and 10 more.