254 bars at 170 BPM -- fast, and 5:59 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-3, kick and crashes through bars 4-24, snare through bars 25-34, silence through bars 35-37, kick and crashes through bars 38-45 and hi-hat through bars 46-59, and 24 more changes after that.
The beat the song is built on is one bar, played through bars 55-59, 104-107 and 180-185, and 1 more place -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
55
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|23 fills to learn, played 42 times: bars 29, 33, 44, 61, 62, 66 and 36 more.
It cuts the song into 100 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
254 bars, about 5:59 at the written tempo. The course breaks it into 100 exercises over 25 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 42 times: bars 29, 33, 44, 61, 62, 66 and 36 more.