254 bars at 170 BPM -- fast, and 5:59 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55-59, 104-107 and 180-185, and 1 more place -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 42 times: bars 29, 33, 44, 61, 62, 66 and 36 more.
19 more fills are written out on the fills page.
254 bars across 37 sections: 129 keep time, 42 are fills, 43 are stops and 9 are silent. The longest unbroken stretch of time is bars 147-160.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
254 bars, about 5:59 at the written tempo. The course breaks it into 100 exercises over 25 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 42 times: bars 29, 33, 44, 61, 62, 66 and 36 more.