46 bars of 4/4 at 120 BPM, about 1:32 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 18-20 and 22-23, and 1 more place -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 10, 11, 12, 13, 15, 17 and 5 more.
3 more fills are written out on the fills page.
46 bars across 5 sections: 25 keep time, 11 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 18-23.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
46 bars, about 1:32 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 10, 11, 12, 13, 15, 17 and 5 more.