152 bars of 4/4 at 130 BPM, about 4:41 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-17, snare through bars 18-33, hi-hat through bars 34-35, snare through bars 36-97, hi-hat through bars 98-123 and snare through bars 124-137, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 38-39, 42-44 and 46-47, and 12 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
39
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-----x-------x-|12 fills to learn, played 24 times: bars 33, 37, 41, 45, 62, 69 and 18 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
152 bars, about 4:41 at the written tempo. The course breaks it into 54 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 33, 37, 41, 45, 62, 69 and 18 more.