152 bars of 4/4 at 130 BPM, about 4:41 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 38-39, 42-44 and 46-47, and 12 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 24 times: bars 33, 37, 41, 45, 62, 69 and 18 more.
8 more fills are written out on the fills page.
152 bars across 17 sections: 81 keep time, 24 are fills, 29 are stops and 1 is silent. The longest unbroken stretch of time is bars 17-32.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
152 bars, about 4:41 at the written tempo. The course breaks it into 54 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 33, 37, 41, 45, 62, 69 and 18 more.