174 bars of 4/4 at 130 BPM, about 5:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-33, 35-42 and 51-53, and 2 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 1, 14, 15, 58, 62, 63 and 15 more.
8 more fills are written out on the fills page.
174 bars across 18 sections: 112 keep time, 22 are fills and 14 are stops. The longest unbroken stretch of time is bars 28-44.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
174 bars, about 5:21 at the written tempo. The course breaks it into 71 exercises over 23 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 1, 14, 15, 58, 62, 63 and 15 more.