91 bars of 4/4 at 110 BPM, about 3:17 of playing, on hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-22, 24-27 and 36-38, and 3 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
91 bars across 10 sections: 78 keep time and 3 are silent. The longest unbroken stretch of time is bars 18-43.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
91 bars, about 3:17 at the written tempo. The course breaks it into 26 exercises over 10 sittings, about 24 minutes each.
hi-hat, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.