116 bars of 4/4 at 123 BPM, about 3:47 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-19, 21-26 and 29-35, and 12 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 23 times: bars 11, 12, 20, 28, 36, 48 and 17 more.
7 more fills are written out on the fills page.
116 bars across 10 sections: 66 keep time, 23 are fills, 14 are stops and 4 are silent. The longest unbroken stretch of time is bars 21-27.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
116 bars, about 3:47 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 11, 12, 20, 28, 36, 48 and 17 more.