139 bars of 4/4 at 125 BPM, about 4:26 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 33-39, 80-86 and 88-94, and 1 more place -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 29 times: bars 4, 8, 16, 24, 28, 40 and 23 more.
6 more fills are written out on the fills page.
148 bars across 19 sections: 79 keep time, 29 are fills, 10 are stops and 19 are silent. The longest unbroken stretch of time is bars 17-23.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
139 bars, about 4:26 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 29 times: bars 4, 8, 16, 24, 28, 40 and 23 more.