168 bars of 4/4 at 138 BPM, about 4:52 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 5 more places -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 52 times: bars 8, 14, 16, 22, 24, 25 and 46 more.
12 more fills are written out on the fills page.
168 bars across 22 sections: 70 keep time, 52 are fills, 6 are stops and 14 are silent. The longest unbroken stretch of time is bars 114-119.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
168 bars, about 4:52 at the written tempo. The course breaks it into 78 exercises over 28 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 52 times: bars 8, 14, 16, 22, 24, 25 and 46 more.