136 bars of 4/4 at 131 BPM, about 4:09 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 38-40, 42-44 and 80-82, and 5 more places -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 28, 41, 58, 59, 60, 83 and 9 more.
5 more fills are written out on the fills page.
136 bars across 18 sections: 62 keep time, 16 are fills, 18 are stops and 32 are silent. The longest unbroken stretch of time is bars 50-57.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
136 bars, about 4:09 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 28, 41, 58, 59, 60, 83 and 9 more.