89 bars of 4/4 at a walking 95 BPM, 3:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-8, 11-16 and 19, and 7 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 22 times: bars 5, 9, 17, 21, 25, 29 and 16 more.
5 more fills are written out on the fills page.
89 bars across 11 sections: 55 keep time, 22 are fills and 1 is silent. The longest unbroken stretch of time is bars 11-16.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
89 bars, about 3:45 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 22 times: bars 5, 9, 17, 21, 25, 29 and 16 more.