94 bars of 4/4 at 125 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41, 45 and 49, and 5 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 37 times: bars 8, 10, 11, 12, 14, 16 and 31 more.
10 more fills are written out on the fills page.
94 bars across 9 sections: 47 keep time, 37 are fills and 3 are silent. The longest unbroken stretch of time is bars 1-7.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
94 bars, about 3:06 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 37 times: bars 8, 10, 11, 12, 14, 16 and 31 more.