94 bars of 4/4 at 125 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-40, ride through bars 41-64, hi-hat through bars 65-72, ride through bars 73-91 and silence through bars 92-94.
The beat the song is built on is a 2-bar phrase, played through bars 41, 45 and 49, and 5 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
73 74
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------x-----|
RD |--x-x-x-x-x-x-x-|x-x-x-x---------|
SD |----x---x---x---|x---x---xx--x-xx|
BD |x--x--x-x--x--x-|x--x--x-x-x-x---|13 fills to learn, played 37 times: bars 8, 10, 11, 12, 14, 16 and 31 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
94 bars, about 3:06 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 37 times: bars 8, 10, 11, 12, 14, 16 and 31 more.