121 bars of 4/4 at 127 BPM, about 3:49 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16, 18 and 21-27, and 4 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 37 times: bars 2, 4, 5, 6, 7, 8 and 31 more.
8 more fills are written out on the fills page.
121 bars across 11 sections: 53 keep time, 37 are fills and 15 are stops. The longest unbroken stretch of time is bars 21-27.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
121 bars, about 3:49 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 37 times: bars 2, 4, 5, 6, 7, 8 and 31 more.