117 bars of 4/4 at 110 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-41, 43 and 69-71, and 3 more places -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 20 times: bars 28, 36, 44, 60, 64, 68 and 14 more.
7 more fills are written out on the fills page.
117 bars across 10 sections: 66 keep time, 20 are fills, 3 are stops and 19 are silent. The longest unbroken stretch of time is bars 46-59.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
117 bars, about 4:15 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 28, 36, 44, 60, 64, 68 and 14 more.