128 bars of 6/4 -- not four -- at 179 BPM, 3:41 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-41, kick and crashes through bars 42-49, hi-hat through bars 50-62, ride through bars 63-74, kick and crashes through bars 75-79 and hi-hat through bars 80-99, and 1 more change after that.
The beat the song is built on is one bar, played through bars 10-16, 50-51 and 53-54, and 2 more places -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1.....2.....3.....4.....5.....6.....
HH |x--o--x--o--x--o--x--o--x--o--x--o--|
SD |------x-----------x-----------x-----|
BD |x-----x-----x-----x-----x-----x-----|7 fills to learn, played 12 times: bars 6, 7, 17, 55, 62, 68 and 6 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
179 BPM, in 6/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
128 bars, about 3:41 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 6, 7, 17, 55, 62, 68 and 6 more.