128 bars of 6/4 -- not four -- at 179 BPM, 3:41 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-16, 50-51 and 53-54, and 2 more places -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 6, 7, 17, 55, 62, 68 and 6 more.
3 more fills are written out on the fills page.
128 bars across 11 sections: 60 keep time, 12 are fills, 14 are stops and 31 are silent. The longest unbroken stretch of time is bars 26-38.
179 BPM, in 6/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
128 bars, about 3:41 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 6, 7, 17, 55, 62, 68 and 6 more.