98 bars of 4/4 at 138 BPM, about 2:50 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 79-89 and 91-97 -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 17 times: bars 16, 19, 20, 22, 23, 31 and 11 more.
2 more fills are written out on the fills page.
98 bars across 12 sections: 58 keep time, 17 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 80-98.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
98 bars, about 2:50 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 16, 19, 20, 22, 23, 31 and 11 more.