The beat the song is built on is one bar, played through bars 1-8, 10-13 and 16-17, and 4 more places -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on snare and kick, counted in thirty-second notes. On its own it scores 62 out of 100 -- a step up -- and the thing that decides that is the independence between the hands and the feet.
The whole song is 84 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 73 BPM -- and adds the notes back over 4 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 73, 86, 99 and 112 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on snare and kick, in 4/4 at 112 BPM, counted in thirty-second notes. It is written out above, and it covers 25.7% of the bars the kit plays.
Bars 1-8, 10-13, 16-17 and 20-24, and 3 more places. The time is kept on the snare to start with, and it changes 17 times over the song.
62 out of 100 on its own -- a step up. The song as a whole is 84 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.