The beat the song is built on is a 2-bar phrase, played through bars 15-16, 19-20 and 36-37, and 9 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on crash, hi-hat, snare, floor tom, kick and hi-hat foot, counted in sixteenth notes. On its own it scores 65 out of 100 -- demanding -- and the thing that decides that is how many notes a second it asks for.
The whole song is 65 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 82 BPM -- and adds the notes back over 4 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 82, 97, 111 and 126 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare, floor tom, kick and hi-hat foot, in 4/4 at 126 BPM, counted in sixteenth notes. It is written out above, and it covers 27.3% of the bars the kit plays.
Bars 15-16, 19-20, 36-37 and 40-41, and 8 more places. The time is kept on the silence to start with, and it changes 2 times over the song.
65 out of 100 on its own -- demanding. The song as a whole is 65 out of 100: demanding, mostly on how many notes a second it asks for.