150 bars of 4/4 at 126 BPM, about 5:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19, 21 and 23, and 5 more places -- 6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 54 times: bars 1, 2, 3, 4, 7, 9 and 48 more.
18 more fills are written out on the fills page.
150 bars across 13 sections: 65 keep time, 54 are fills and 17 are silent. The longest unbroken stretch of time is bars 77-91.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
150 bars, about 5:19 at the written tempo. The course breaks it into 67 exercises over 24 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 54 times: bars 1, 2, 3, 4, 7, 9 and 48 more.