236 bars of 3/4 -- not four -- at 134 BPM, 5:17 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-36, 38-40 and 42-44, and 11 more places -- 19.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 32, 65, 94, 110, 114, 162 and 8 more.
2 more fills are written out on the fills page.
236 bars across 10 sections: 140 keep time, 14 are fills, 28 are stops and 45 are silent. The longest unbroken stretch of time is bars 47-64.
134 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 37 out of 100; the rest of the number is everything around it.
236 bars, about 5:17 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 32, 65, 94, 110, 114, 162 and 8 more.