218 bars of 4/4 at a walking 78 BPM, 11:06 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 30-32, 41-48 and 52-53, and 24 more places -- 34.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 31 times: bars 54, 55, 58, 61, 62, 68 and 25 more.
11 more fills are written out on the fills page.
218 bars across 14 sections: 136 keep time, 31 are fills, 22 are stops and 19 are silent. The longest unbroken stretch of time is bars 29-40.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
218 bars, about 11:06 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 31 times: bars 54, 55, 58, 61, 62, 68 and 25 more.