218 bars of 4/4 at a walking 78 BPM, 11:06 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-12, toms through bars 13-20, kick and crashes through bars 21-22, silence through bars 23-25, kick and crashes through bars 26-28 and hi-hat through bars 29-101, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 30-32, 41-48 and 52-53, and 24 more places -- 34.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
30
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|14 fills to learn, played 31 times: bars 54, 55, 58, 61, 62, 68 and 25 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
218 bars, about 11:06 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 31 times: bars 54, 55, 58, 61, 62, 68 and 25 more.