168 bars of 4/4 at 120 BPM, about 5:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 49-51, and 8 more places -- 19.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 30 times: bars 13, 14, 15, 23, 29, 32 and 24 more.
10 more fills are written out on the fills page.
168 bars across 22 sections: 104 keep time, 30 are fills, 6 are stops and 7 are silent. The longest unbroken stretch of time is bars 114-121.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
168 bars, about 5:34 at the written tempo. The course breaks it into 73 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 13, 14, 15, 23, 29, 32 and 24 more.