135 bars of 3/4 -- not four -- at 120 BPM, 3:46 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 15 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 23 times: bars 12, 32, 40, 44, 47, 58 and 17 more.
7 more fills are written out on the fills page.
135 bars across 11 sections: 63 keep time, 24 are fills, 32 are stops and 10 are silent. The longest unbroken stretch of time is bars 104-109.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
135 bars, about 3:46 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 12, 32, 40, 44, 47, 58 and 17 more.