82 bars of 4/4 at 115 BPM, about 2:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-8, 14-16 and 34-37 -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 5 times: bars 25, 57, 65, 73 and 81.
82 bars across 12 sections: 64 keep time, 5 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 39-47.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
82 bars, about 2:51 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 25, 57, 65, 73 and 81.