50 bars of 4/4 at 137 BPM, about 1:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-19 and 21-23 -- 10% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 28 times: bars 1, 2, 3, 4, 5, 6 and 22 more.
1 more fill is written out on the fills page.
50 bars across 4 sections: 16 keep time, 28 are fills and 1 is a stop. The longest unbroken stretch of time is bars 9-15.
137 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
50 bars, about 1:28 at the written tempo. The course breaks it into 19 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 28 times: bars 1, 2, 3, 4, 5, 6 and 22 more.