170 bars of 4/4 at 132 BPM, about 5:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 17 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 20 times: bars 21, 33, 44, 45, 48, 49 and 14 more.
10 more fills are written out on the fills page.
170 bars across 17 sections: 73 keep time, 21 are fills, 45 are stops and 9 are silent. The longest unbroken stretch of time is bars 108-120.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
170 bars, about 5:08 at the written tempo. The course breaks it into 63 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 21, 33, 44, 45, 48, 49 and 14 more.