142 bars of 4/4 at 125 BPM, about 4:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 11-13, 15-17 and 45-47, and 4 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 29 times: bars 14, 18, 22, 30, 34, 41 and 23 more.
13 more fills are written out on the fills page.
142 bars across 17 sections: 65 keep time, 29 are fills, 18 are stops and 9 are silent. The longest unbroken stretch of time is bars 88-92.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
142 bars, about 4:33 at the written tempo. The course breaks it into 58 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 29 times: bars 14, 18, 22, 30, 34, 41 and 23 more.