151 bars of 4/4 at 135 BPM, about 4:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 27-29, and 3 more places -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 17, 54, 58, 84, 132, 140 and 1 more.
2 more fills are written out on the fills page.
151 bars across 16 sections: 115 keep time, 7 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 86-104.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
151 bars, about 4:27 at the written tempo. The course breaks it into 57 exercises over 23 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 17, 54, 58, 84, 132, 140 and 1 more.