200 bars of 4/4 at 141 BPM, about 5:40 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-7, 10-15 and 18-19, and 18 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 20 times: bars 8, 16, 40, 48, 56, 64 and 14 more.
9 more fills are written out on the fills page.
200 bars across 15 sections: 154 keep time, 20 are fills and 5 are stops. The longest unbroken stretch of time is bars 17-31.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
200 bars, about 5:40 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 8, 16, 40, 48, 56, 64 and 14 more.