104 bars of 4/4 at 125 BPM, about 3:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 30-31, and 7 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 2 times: bars 32 and 64.
104 bars across 9 sections: 85 keep time, 2 are fills and 7 are silent. The longest unbroken stretch of time is bars 1-19.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 45 out of 100; the rest of the number is everything around it.
104 bars, about 3:20 at the written tempo. The course breaks it into 26 exercises over 10 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 32 and 64.