93 bars of 4/4 at 120 BPM, about 3:06 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18, 20 and 25-27, and 6 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17 fills to learn, played 22 times: bars 16, 24, 32, 38, 42, 46 and 16 more.
13 more fills are written out on the fills page.
93 bars across 12 sections: 32 keep time, 22 are fills, 24 are stops and 7 are silent. The longest unbroken stretch of time is bars 10-15.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
93 bars, about 3:06 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 22 times: bars 16, 24, 32, 38, 42, 46 and 16 more.