106 bars of 4/4 at a walking 79 BPM, 5:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 71-85 -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 17 times: bars 10, 18, 25, 26, 28, 36 and 11 more.
2 more fills are written out on the fills page.
106 bars across 11 sections: 69 keep time, 17 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 72-85.
79 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
106 bars, about 5:08 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 10, 18, 25, 26, 28, 36 and 11 more.