103 bars of 4/4 at 120 BPM, about 3:24 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 38-44 and 88-103 -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 13, 29, 45, 48, 50, 54 and 10 more.
4 more fills are written out on the fills page.
104 bars across 12 sections: 69 keep time, 16 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 89-103.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
103 bars, about 3:24 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 13, 29, 45, 48, 50, 54 and 10 more.