132 bars of 4/4 at 122 BPM, about 4:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7, 17 and 19-21, and 16 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 24 times: bars 4, 5, 6, 10, 14, 44 and 18 more.
4 more fills are written out on the fills page.
132 bars across 12 sections: 75 keep time, 25 are fills, 12 are stops and 2 are silent. The longest unbroken stretch of time is bars 19-41.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
132 bars, about 4:20 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 4, 5, 6, 10, 14, 44 and 18 more.