93 bars of 4/4 at 120 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 33-35, and 6 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 10 times: bars 24, 28, 40, 64, 72, 88 and 4 more.
93 bars across 7 sections: 67 keep time, 10 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 8-23.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
93 bars, about 3:06 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 24, 28, 40, 64, 72, 88 and 4 more.